Cher and her 38-year-old music producer boyfriend, Alexander “AE” Edwards, recently enjoyed a PDA-packed date night in Los Angeles, California. Their radiant affection speaks volumes, proving that love knows no bounds and age is just a number.

Alexander “AE” Edwards shares a sweet moment with Cher at the 2024 iHeartRadio Music Awards in Dolby Theatre on April 1, 2024, in Los Angeles, California. | Source: Getty Images

Alexander “AE” Edwards kisses Cher on the cheek at the 2024 iHeartRadio Music Awards on April 1, 2024 in Hollywood, California. | Source: Getty Images

The power couple was dressed impeccably for the occasion, with Alexander looking sharp in a black tuxedo and Cher dazzling in a matching black ensemble, embellished with silver and crystals.

Alexander “AE” Edwards and Cher pose together at the 2024 iHeartRadio Music Awards on April 1, 2024, in Hollywood, California. | Source: Getty Images

Aside from the iHeart event, the couple also attended the Equal Justice Now Awards at Los Angeles Airport Marriott in matching suits, mingling with other notable guests and continuing to share joyous moments. This series of events is just the latest in their public outings this year.

In February, the lovebirds made a joint appearance at Warner Music Group’s event at Citizen News Hollywood, following the group’s pre-Grammy party. Cher effortlessly paired her faded black jeans, adorned with rhinestones, with a chic velvet bolero jacket while Edwards mirrored her style in a sleek black overcoat.

Cher and Alexander “AE” Edwards grace the Warner Music Group Pre-Grammy Party at Citizen News Hollywood on February 1, 2024, in Los Angeles, California. | Source: Getty Images

Cher’s night out with her boyfriend came after she lost her bid to become her son Elijah Blue Allman’s conservator. The judge overseeing their case ruled against an immediate conservatorship.

Cher and her son Elijah Blue Allman attend the premiere of “Blow” at Mann’s Chinese Theatre on March 29, 2024, in Westwood, California. | Source: Getty Images

Elijah, Cher’s son with the late musician Gregg Allman, has admitted to past mental health and substance abuse challenges but has assured that he is actively seeking treatment and attending support group meetings.

Elijah Blue Allman and Cher attend the 5th Annual Fire and Ice Ball to benefit Revlon UCLA Women Cancer Center on December 7, 1994, at the 20th Century Fox Studios in Century City, California. | Source: Getty Images

Despite personal challenges, Cher’s romantic life with Alexander remains a source of happiness and support. Cher said, “If you have happiness, you can’t think about how long it’s going to last. You have to think about ‘How does it feel?’ and live in the moment.”

Alexander “AE” Edwards and Cher attend the Versace FW23 Show at Pacific Design Center on March 9, 2023, in West Hollywood, California. | Source: Getty Images

As reported in January 2024, Cher has spent much of her life pushing the boundaries of what society considers acceptable. Cher has often done things her way, from outfits to songs and opinions. This behavior also extended to her relationships.

Cher posted a photo on X of her straddling Alexander as she tipped his chin up so he could look at her. She captioned the post, “Love is Love.” However, some fans didn’t see it that way.

Her most recent relationship with rapper Alexander Edwards has sent tongues wagging because of the significant age gap. Cher’s most recent post with Alexander has confused fans even further.

Cher and Alexander Edwards at Paris Fashion Week – Womenswear Spring/Summer 2024 | Source: Getty Images

One fan was confused as they thought Alexander was Kyle Kuzma, a basketball player. Another fan thought Cher was country singer Dolly Parton. Other fans began asking questions, like why Alexander didn’t post Cher on his social media.

Another fan was concerned that Cher appeared to cry and said she should be happy she was in love. The same fan wondered if they might be tears of joy that Cher was crying.

Cher and Alexander Edwards attend the Givenchy Womenswear Spring/Summer 2024 show during Paris Fashion Week on September 28, 2023, in Paris, France. | Source: Getty Images

Many fans supported Cher and her relationship, with one saying Cher should be happy and that love had no color, size, or shape. Another felt that everyone deserved to enjoy love. One more fan remarked that both Alexander and Cher looked great. One fan was confused as they thought they remembered Cher saying she and Alexander had broken up.

Cher and Alexander Edwards at Paris Fashion Week – Womenswear Spring/Summer 2024 | Source: Getty Images

However, there was no confirmation on whether or not the couple broke up. Yet Cher was skeptical about their relationship at first, telling Alexander that they would never work out. Regarding their relationship in December 2022, Cher called it “kind of ridiculous” on paper but said they got along well and were happy.

Cher and Alexander Edwards are seen on November 2, 2022, in Los Angeles, California. | Source: Getty Images

Before Alexander entered her life, Cher had experienced several high-profile relationships. Alongside her marriages to Gregg Allman and Sonny Bono, Cher also had a connection with actor Tom Cruise in the mid-1980s.

Cher and Tom, who was a young actor at the time, first met at Madonna’s wedding in 1985. In later years, Cher fondly recalled Tom as one of her “top-five” lovers, describing him as a wonderful but shy young man who didn’t have much money.

Vanilla Ice and Kid Rock have teamed up to create a groundbreaking event in the music industry, the ‘Woke-Free’ Music Festival. Promising to be a celebration of unfiltered music and entertainment, the festival aims to provide a platform free from what they perceive as excessive political correctness and censorship.

The announcement of the festival has stirred up a storm of controversy, with many critics condemning it as regressive and exclusionary. However, supporters argue that it represents a refreshing departure from the increasingly polarized and politically charged landscape of modern entertainment.

Vanilla Ice and Kid Rock, both known for their rebellious personas and outspoken views, are no strangers to controversy. Their collaboration on this venture underscores their shared belief in the importance of artistic freedom and authenticity.

Despite the backlash, the ‘Woke-Free’ Music Festival has also received significant support from fans who are eager to attend an event that prioritizes music and fun over political correctness. With an eclectic lineup spanning various genres, the festival promises to be a lively and unapologetic celebration of music and culture.

In a move that has sent shockwaves through the entertainment industry, CBS has inked a groundbreaking $1 billion contract with Jay Leno, heralding the iconic comedian’s return to the late-night television landscape. This bold decision not only underscores CBS’s commitment to reclaiming its stake in the late-night ratings war but also signals a significant shift in the network’s strategy, betting big on Leno’s enduring appeal to viewers across generations.

Jay Leno, whose name is synonymous with late-night television thanks to his two-decade tenure on “The Tonight Show,” is stepping back into the spotlight at a time when the landscape of late-night TV is more competitive and fragmented than ever. With a plethora of options ranging from traditional network shows to streaming platform specials, capturing and sustaining viewer attention has become an increasingly daunting task for broadcasters.

The $1 billion deal, an almost unprecedented sum in the realm of television contracts, illustrates the confidence CBS has in Leno’s ability to not only draw in viewers but also to revitalize the network’s late-night offerings. Leno’s brand of humor, characterized by its accessibility and broad appeal, is seen as a key asset in this endeavor. CBS executives are betting that Leno’s return will not only woo nostalgic fans of “The Tonight Show” but also attract a new generation of viewers looking for a mix of humor, celebrity interviews, and the unique charm that Leno brings to the table.

This strategic move by CBS comes at a time when the network is looking to differentiate itself in a crowded market. Late-night television has evolved significantly since Leno’s departure, with hosts like Stephen Colbert, Jimmy Fallon, and Jimmy Kimmel reshaping the genre with their distinct comedic styles and approaches to topical content. By bringing Leno back into the fold, CBS is signaling its intention to blend traditional late-night elements with fresh, innovative content that resonates with today’s audience.

The announcement of the deal has sparked a flurry of reactions from industry insiders and viewers alike. Some express excitement at the prospect of Leno’s return, citing his proven track record and enduring popularity as reasons to be optimistic about the future of CBS’s late-night lineup. Others, however, question whether Leno’s style of comedy will be as effective in engaging a modern audience that has grown accustomed to the more varied and often edgier offerings of his successors.

Moreover, the financial aspects of the deal raise interesting questions about the economics of late-night television. A $1 billion investment represents a significant gamble in an era where traditional TV viewership is on the decline, and streaming services continue to disrupt the entertainment landscape. Analysts are keenly watching to see how this bold move will pay off in terms of advertising revenue, ratings, and overall network prestige.

Leno’s return is not just a personal triumph but also a testament to his lasting influence on the genre of late-night television. Throughout his career, Leno has been known for his work ethic, dedication to his craft, and ability to connect with a wide range of guests and topics. These qualities will be crucial as he navigates the challenges of making a successful comeback in a rapidly changing media environment.

In preparation for the launch of the new show, CBS and Leno are reportedly planning a series of innovative segments, high-profile guest appearances, and cross-platform promotional activities aimed at generating buzz and building anticipation. The network is also investing in digital content strategies to complement the traditional broadcast, recognizing the importance of engaging viewers across multiple platforms.

As the countdown to Jay Leno’s late-night return begins, the television industry is watching closely to see how this bold experiment will unfold. Will Leno’s comeback redefine late-night TV and bring CBS to the forefront of the ratings race? Or will it serve as a cautionary tale about the challenges of adapting to a new era of entertainment consumption?

Regardless of the outcome, CBS’s decision to sign a $1 billion deal with Jay Leno marks a significant moment in television history. It is a declaration of the network’s ambitions, a reflection of the enduring appeal of a late-night legend, and a fascinating case study in the dynamics of contemporary media. As Leno prepares to step back into the late-night arena, the industry and viewers alike await with bated breath to see if this gamble will indeed pay off, heralding a new golden age for CBS’s late-night programming.

ABC’s CEO, Kim Williams, made a startling admission recently, declaring that the creation of “The View” stands as one of humanity’s most significant errors. This bold statement has sent shockwaves through the entertainment industry and sparked intense debate among viewers and media pundits alike.

“The View,” a daytime talk show featuring a panel of women discussing current events and hot topics, has been a staple of ABC’s programming for decades. Launched in 1997, the show has provided a platform for lively debates, celebrity interviews, and political discussions. However, its polarizing nature and sometimes controversial commentary have also made it a lightning rod for criticism.

Williams’ remarks came during an industry conference where she reflected on ABC’s programming decisions over the years. While acknowledging the show’s longevity and cultural impact, Williams expressed regret over its overall contribution to society.

“In hindsight, ‘The View’ may not have been the wisest endeavor,” Williams remarked. “While it has certainly generated viewership and revenue for the network, it has also perpetuated divisiveness and sensationalism in the media landscape.”

Williams’ candid assessment has prompted soul-searching within ABC and reignited conversations about the role of daytime talk shows in shaping public discourse. Some industry insiders have applauded her honesty, while others have criticized her for denigrating a show that has been a source of empowerment for women and a platform for diverse voices.

“The View” has weathered its share of controversies over the years, including heated arguments among its hosts, guest appearances by controversial figures, and accusations of biased reporting. Despite these challenges, the show has remained a ratings juggernaut and a fixture of daytime television.

However, Williams’ comments suggest a growing recognition within ABC of the need to reassess the network’s priorities and values. As media consumption habits evolve and societal norms shift, networks like ABC face mounting pressure to strike a balance between entertainment, information, and social responsibility.

The future of “The View” remains uncertain in light of Williams’ remarks. While the show continues to attract a loyal audience and generate advertising revenue, its long-term viability may hinge on its ability to adapt to changing audience tastes and expectations.

In conclusion, Kim Williams’ bold declaration regarding “The View” underscores a broader conversation about the role of media in society and the responsibility of networks like ABC to prioritize integrity and inclusivity in their programming. While “The View” has undeniably left its mark on daytime television and provided a platform for diverse perspectives, Williams’ acknowledgment of its shortcomings signals a crucial moment of reflection for the industry.

As audiences demand more authenticity, transparency, and accountability from media outlets, networks must grapple with the ethical implications of their content choices. The future of “The View” and similar programs hinges on their ability to evolve with the times, engaging viewers in meaningful dialogue while navigating the complexities of contemporary discourse.

Ultimately, Williams’ candid assessment serves as a catalyst for introspection and innovation within ABC and the broader media landscape. By embracing a commitment to responsible journalism, ethical storytelling, and genuine representation, networks can pave the way for a more informed, empathetic, and inclusive media environment.

In a dramatic turn of events on The View, co-host Sunny Hostin found herself overwhelmed with emotion as she confronted Tesla CEO Elon Musk during a heated exchange. The confrontation, which unfolded live on air, has sparked widespread debate and drawn attention to the ethical responsibilities of tech industry leaders.

The incident began when Hostin, known for her outspoken views and advocacy for social justice issues, challenged Musk on his company’s environmental record and treatment of workers. Musk, known for his brash demeanor and unapologetic approach, initially appeared unfazed by Hostin’s questioning, dismissing her concerns as misguided and ill-informed.

As the exchange escalated, Hostin became visibly emotional, her voice cracking as she pleaded with Musk to acknowledge the human cost of his business practices. “You have a responsibility to the planet and to the people who work for you,” she implored, tears welling in her eyes.

Musk, known for his blunt and often controversial remarks, remained defiant in the face of Hostin’s emotional plea. “I’m not here to be anyone’s moral compass,” he retorted, doubling down on his company’s commitment to innovation and progress. The tension between the two only continued to mount, leaving viewers on the edge of their seats.

The emotional intensity of the confrontation reached its peak when Hostin, unable to contain her emotions any longer, abruptly walked off the set, tears streaming down her face. The unexpected departure stunned her co-hosts and audience alike, leaving many grappling with the raw emotion and vulnerability on display.

The fallout from Hostin’s confrontation with Musk has been swift and far-reaching, igniting a firestorm of debate on social media and beyond. While some have praised Hostin for speaking truth to power and holding Musk accountable for his actions, others have criticized her for her emotional outburst and perceived lack of professionalism.

In the aftermath of the confrontation, Hostin took to social media to address the incident, offering a candid reflection on her emotions and motivations. “I couldn’t stand by silently while injustices were being ignored,” she wrote, expressing gratitude for the outpouring of support from fans and colleagues.

Meanwhile, Musk has remained characteristically unapologetic in the face of criticism, doubling down on his company’s mission to push the boundaries of innovation and technology. “We will continue to strive for excellence and push the envelope of what is possible,” he declared in a statement following the incident.

As the dust begins to settle, the confrontation between Hostin and Musk serves as a powerful reminder of the importance of holding powerful figures accountable for their actions. In an era marked by increasing scrutiny of corporate ethics and social responsibility, the exchange on The View serves as a microcosm of larger debates surrounding the role of technology in society.

In conclusion, Sunny Hostin’s emotional confrontation with Elon Musk on The View has ignited a passionate debate about the responsibilities of tech industry leaders and the ethical implications of their actions. As the fallout continues to unfold, the incident serves as a sobering reminder of the power of emotion and vulnerability in the pursuit of truth and accountability.

In a bold move shaking up Hollywood, veteran actors Mel Gibson and Mark Wahlberg have teamed up to launch a new film production studio dedicated to preserving traditional storytelling and avoiding the pitfalls of woke culture. The announcement comes as a breath of fresh air for many in the industry who have grown weary of the pervasive influence of political correctness and social activism in filmmaking.

Gibson and Wahlberg, both known for their commitment to authenticity and artistic integrity, aim to create a sanctuary for filmmakers and audiences alike who long for classic storytelling without the interference of politically charged agendas. The duo’s decision to join forces underscores their shared vision of reclaiming the soul of cinema and reaffirming the values that have made Hollywood an iconic symbol of entertainment for generations.

The venture, aptly named “Legacy Films,” is set to serve as a haven for filmmakers seeking creative freedom and audiences seeking thought-provoking yet unfiltered cinematic experiences. With a focus on timeless narratives and compelling characters, Legacy Films seeks to revive the spirit of storytelling that has been overshadowed by the demands of political correctness and virtue signaling.

Gibson and Wahlberg have made it clear that Legacy Films will prioritize substance over superficiality, embracing diversity of thought and expression while rejecting the divisive rhetoric that has plagued the industry in recent years. By fostering an environment of artistic excellence and open dialogue, the studio aims to set a new standard for cinematic storytelling that transcends ideological boundaries.

The decision to launch Legacy Films comes at a time when Hollywood is facing increasing scrutiny for its adherence to woke ideology and its willingness to sacrifice storytelling on the altar of political correctness. With audiences growing weary of preachy narratives and forced diversity quotas, Gibson and Wahlberg’s initiative represents a beacon of hope for those longing for a return to cinematic authenticity.

In a statement announcing the launch of Legacy Films, Gibson emphasized the importance of preserving artistic freedom and resisting the pressures of conformity. “Hollywood has lost its way in recent years, succumbing to the demands of political correctness and cultural conformity,” said Gibson. “With Legacy Films, we aim to reclaim the essence of cinema and celebrate the diversity of human experience without ideological constraints.”

Wahlberg echoed Gibson’s sentiments, expressing his enthusiasm for the opportunity to collaborate on projects that prioritize storytelling over virtue signaling. “We’re not interested in preaching or pandering to the latest social trends,” said Wahlberg. “Legacy Films will be a sanctuary for filmmakers and audiences who value authenticity and creativity above all else.”

The announcement of Legacy Films has already generated significant buzz within the industry, with many applauding Gibson and Wahlberg for their commitment to revitalizing Hollywood’s creative spirit. As the studio prepares to embark on its inaugural projects, anticipation is building among cinephiles eager to see what the future holds for this groundbreaking venture.

With Legacy Films poised to make its mark on the cinematic landscape, Gibson and Wahlberg’s bold initiative signals a promising new chapter for Hollywood—one driven by a dedication to storytelling, artistic integrity, and the timeless power of cinema to unite and inspire audiences around the world. As the studio’s motto declares, “In Legacy Films, storytelling reigns supreme, and Hollywood is saved.”

In the realm of music collaborations, big names often come together to create something magical. But when it comes to aligning with artists whose ideologies don’t resonate, even the allure of millions can’t seal the deal. Jason Aldean, a country music star known for his authenticity, recently made headlines by turning down a staggering $500 million offer to collaborate with pop sensation Taylor Swift. In an industry where partnerships can skyrocket careers, Aldean’s bold move sends a clear message: authenticity trumps all, even at the expense of enormous financial gain.

For many, the news of Aldean’s rejection came as a surprise. After all, a collaboration between two powerhouses like Aldean and Swift seemed like a match made in music heaven. But beneath the surface, a clash of values emerged, highlighting the growing divide within the music industry.

Aldean, known for his traditional country roots and down-to-earth persona, has always stayed true to his identity. His music reflects the heart and soul of Middle America, resonating with fans who appreciate raw authenticity over polished personas. On the other hand, Swift’s evolution from country sweetheart to pop icon has been marked by controversy and political statements that don’t always align with Aldean’s values.

In a candid statement addressing his decision, Aldean expressed his respect for Swift as an artist but cited ideological differences as the primary reason for declining the collaboration. “Her music has taken a turn towards a woke agenda that doesn’t resonate with me or my fanbase,” Aldean stated. “I prefer to stay true to my roots and create music that reflects the values of hardworking Americans.”

The decision to walk away from a half-billion-dollar opportunity underscores Aldean’s commitment to authenticity and staying true to his fanbase. In an era where the music industry is increasingly driven by commercial interests and celebrity personas, Aldean’s refusal to compromise his values sets him apart as a beacon of integrity.

But beyond the financial implications, Aldean’s rejection raises broader questions about the role of ideology in music collaborations. In an industry where artists are often pressured to conform to certain narratives or political agendas, Aldean’s stance challenges the status quo and calls into question the authenticity of artistic expression.

Swift, whose music has evolved to encompass a wide range of genres and themes, has been vocal about her political beliefs and social activism. While her influence and popularity are undeniable, Aldean’s decision to distance himself from her brand of activism speaks volumes about the importance of staying true to one’s principles, even in the face of immense pressure.

As news of Aldean’s rejection reverberates through the music industry, it serves as a wake-up call for artists and fans alike. In an age of increasing polarization and ideological division, the power of music to unite or divide has never been more apparent. By standing firm in his convictions, Aldean sends a powerful message about the importance of authenticity and staying true to oneself, no matter the cost.

In the end, Aldean’s decision may have cost him a lucrative collaboration, but it has also solidified his reputation as an artist of integrity. In a world where authenticity is often sacrificed for fame and fortune, Aldean’s refusal to compromise his values serves as a reminder that true success is measured not in dollars, but in the impact we make and the legacy we leave behind.

Whoopi Goldberg is a renowned actress who rose to fame for her roles in several critically acclaimed films, such as “Sister Act” and “Ghost.” She is also a prominent face on television, having served as a co-host on the popular daytime talk show, “The View.”

The essential things in Whoopi Goldberg’s life are her roles as a mother, grandmother, and even great-grandmother. Her career in Hollywood has brought her a lot of success, but her family is her crowning achievement.

Goldberg is no stranger to criticism. At the beginning of her career, she faced some from people who judged her based on her appearance, particularly her hair.

Previous producers, she claimed, would pick at her hair and harshly inquire about what they could do with it. As a result of her irritation, she would snatch away one of their hands and demand to know why they kept playing with her hair.

Goldberg quickly realized that her actions had upset others, causing her unhappiness, even though she had only defended herself against being judged.

She was lucky to have someone to guide her through difficult times. She said she often admired and sought advice from the late actor Sidney Poitier, one of the few African Americans to succeed in Hollywood during the 1960s.

Committed to Family over Marriages
Goldberg is a devoted parent, grandmother, and great-grandmother, in addition to having an extensive and successful career in the entertainment industry spanning multiple decades.

She had been married three times. She first tied the knot with her first husband, Alvin Martin, in 1973 and welcomed a daughter with him. Despite lasting six years, this marriage was Goldberg’s longest.

After their separation, she married David Claessen in 1986. However, this marriage did not last long. She then married Lyle Trachtenberg from 1994 to 1995, a union that also ended quickly.

Goldberg admitted that, although she was married to multiple people, she never actually loved any of her husbands and only married them because she thought it would give her a “much normal” life.

Goldberg revealed that she is more committed to her family. She believes that being in love and having a solid commitment to your partner is crucial for a successful marriage, but she realized this too late with her past husbands.

But she has learned that a successful marriage requires a real commitment to one’s partner and a willingness to work through problems together. She added:

“There’s not a good reason to get married. You have to actually want a life with someone through ups and downs. And I — I just discovered that wasn’t for me.”

Although marriage may not have worked out for her, the influential actress remains a strong and independent woman who has made a significant impact on the world.

Finding Joy and Humor amid Criticisms
Goldberg stands firm in the face of negativity and celebrates the beauty of growing older. She wears her 67 years like a badge of honor, refusing to let online criticism bring her down.

Goldberg accepts the passing of time with grace, but she doesn’t hesitate to share her wit and wisdom about the joys and challenges of getting older. In a YouTube video, she poked fun at herself for being a “Lil’ old lady.”

As she admitted, one of the clear signs that she is growing older is that she had “swollen feet.” Despite her age, she manages to look after her dogs and cats at home and her great-grandchildren.

The seasoned actress also opened up about her graying hair on an episode of “The View.” She shared with her co-hosts that her hair isn’t just mainly black anymore but has a few strands of gray mixed in.

Instead of concealing the gray hairs, she embraces them and doesn’t mind letting them grow. Her graying hair seemed not to be visible because she often pushes her hair up, according to her.

Goldberg’s fashion style has improved over time, and it has helped her to age gracefully without being scrutinized by the public, something that many other actors in Hollywood do not have the luxury of experiencing. She admitted:

“I didn’t have the same problems a beautiful actress has. I don’t have to worry about it. My stuff’s going to sag and fall and I will be fine. My chest is gonna do what it does. I can age the way I age.”

Goldberg and her co-author M.E. Hecht released a self-help book, “Two Old Broads,” a humorous take on the experience of aging. The book encourages readers to embrace their age, be unapologetic, and stay confident about themselves.

According to Goldberg, the book also celebrates the idea that older individuals can and should have a fulfilling and active sex life, despite societal stigmas.

The book’s message, she added, is also for anyone tired of being told what they should be and encourages readers to have fun and embrace all aspects of life.

Goldberg is content with aging and pleased with where she is. However, not everyone shares her positive outlook, particularly social media users.

This was demonstrated by the comments made by other users on an Instagram video she posted in June 2022 about an event in New York called the Italy Run. A netizen pointed out how “old” she looked.

In the video, Goldberg wore a white button-down shirt while standing in front of a tree and holding her mobile phone. Unfortunately, more netizens made unpleasant remarks about the actress’s appearance.

One Instagram user sarcastically commented she should retire from her career. The remark was then echoed by another user who described Goldberg as a “dumb witch.”

Some users also criticized another one of Goldberg’s Instagram photos. In this one photo uploaded in December 2020, Goldberg was pictured showing off her white hair as she posed in a long dress.

She stood in front of the dried-up trees, holding a wooden staff in her right hand. Another disappointed user made an unfavorable remark.

Some users also criticized another one of Goldberg’s Instagram photos. In this one photo uploaded in December 2020, Goldberg was pictured showing off her white hair as she posed in a long dress.

She stood in front of the dried-up trees, holding a wooden staff in her right hand. Another disappointed user made an unfavorable remark.

Despite receiving negative comments, Goldberg appeared unbothered by them. While she has not responded to any naysayers, some fans have praised the Hollywood A-lister for just being herself.

She simply stated in the caption that the photo was taken for the television series, “The Stand,” in which she was a cast member. She praised the incredible hairstyle the crew had given her.

Despite her life and career challenges, Goldberg has remained a positive and influential force in the entertainment industry and beyond.

The acclaimed entertainer is a shining example of resilience, determination, and the power of finding joy and laughter in the face of adversity.

Parents faced their worst nightmare, with their beloved children gone from the earth forever — but what if something extraordinary was waiting around the corner?

A perfectly happy mom and dad, pastor Gentry Eddings with his wife Hadley Eddings, were living peaceful lives when tragedy struck. However, their faith kept them strong until two tiny miracles came along.

Lopez’s “biggest miscalculation here is that she thinks the world is still interested in Ben and Jennifer’s love story,” her former publicist said.Getty Images for iHeartRadio

Ben Affleck is Jennifer Lopez’s “Achilles heel.”

That’s why her former publicist, Rob Shuter, believes the singer’s first album in 10 years is a flop — “This Is Me…Now” debuted at a paltry No. 38 when it was released in February, before it quickly dropped off the Billboard 200 and sank without a ripple.

“Jennifer’s always been a marketing and PR genius but her biggest miscalculation here is that she thinks the world is still interested in Ben and Jennifer’s love story,” Shuter told The Post. “But no one cares about Bennifer anymore. The world has moved on.”

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J. Lo’s former publicist Rob Shuter told The Post that Affleck is her “Achilles heel.”Golden Globes 2024 via Getty Images

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Despite adding three additional concerts in Miami, Toronto and New York in February, a number of dates on Lopez’s forthcoming tour were recently cut.MEGA

Not only has the album been a failure so far, but she’s had to cancel concerts.

A number of dates — including in Nashville, New Orleans and Houston — on Lopez’s tour, her first tour in five years, were cut this month with no explanation after Lopez previously announced three additional shows in Miami, Toronto and New York in February.

A source told The Post that the tour had added those dates due to popular demand.

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A veteran music industry insider, who has worked with some of the biggest stars in music, told The Post: “If they’re canceling tour dates with someone at her level, it’s bad, very bad.”

“There are only a few people who can still draw the crowds after decades, like Springsteen or Madonna,” the music industry insider said.

And in what must be a painful blow, residents of The Bronx — where Lopez, 54, proudly grew up, as chronicled in her 2002 hit song “Jenny From the Block” — are viciously mocking a clip of her from the “The Is Me Now: A Love Story” companion movie, in which she lets down her hair and the gym and says the look reminds her of being “16 in The Bronx [and] running up and down the block.”

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Lopez’s first album in 10 years, “This Is Me…Now” debuted at a paltry No. 38 when it was released in February, before it quickly dropped off the Billboard 200.Chris Pizzello/Invision/AP

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Lopez said she put $20 million of her own money into the star-studded Amazon Prime musical, “This Is Me…Now: A Love Story.”Courtesy of Prime

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“Everybody thought I was crazy,” Lopez, 54, told Variety, admitting of using her own money to fund the passion project — including the movie “This Is Me … Now: A Love Story,” after a partner pulled out because they didn’t understand her vision.Courtesy of Prime
“Real Bronxite here, straight from South Bronx,” one user claimed in a TiTok video. “JLO, we did not run up and down the block looking like that. Even as a kid.”

“Jennifer hasn’t had a big hit since 2007’s ‘On the Floor.’ The younger generation isn’t really checking for her. Other than her diehard fans, no one was looking for a new J. Lo album, which she says herself in the documentary,” the source who knows Lopez’s family said. “The project was a complete misfire.”

Lopez has said she put $20 million of her own money into the star-studded Amazon Prime musical “This Is Me…Now: A Love Story.” Amazon paid to buy the film, and the accompanying documentary, “The Greatest Love Story Never Told” — all unpacking her rollercoaster search for love, and rekindled romance with Affleck, who she finally wed in 2021, 18 years after their first engagement was called off.

“The mindset was, ‘Let’s create a Jennifer Lopez ecosystem that can push out into all the different worlds that she has traversed,” her manager/business partner Benny Medina told Billboard.

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Bronx residents viciously mocked a clip of her “The Is Me … Now: A Love Story” movie where J. Lo lets her hair down at the gym and says the look reminds her of being “16 in The Bronx [and] running up and down the block.”TikTok/@primevideo

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Lopez has long embraced her “Jenny From the Block” Bronx girl image.Aaron P/bauergriffin.com
A source said that “Jennifer loves music and has created a beautifully written and produced album. There are some who only know her for her incredible work and career as an actor with her recent successes such as ‘The Mother,’ ‘Shotgun Wedding,’ ‘Hustlers’ and more. So coming back into a full album, is very exciting for her.”

The movie “This Is Me … Now: A Love Story” has received some positive reviews, including from The Post’s Johnny Oleksinski, who gave it three stars.

“Everybody thought I was crazy,” Lopez, 54, told Variety, admitting that she used her own money to fund the ambitious production after a partner pulled out because they didn’t understand her vision.

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Lopez’s former publicist finds it “strange” that she would create a big project around her romance, given that she and Affleck broke up in 2003 over, in part, “media scrutiny.”Cobra Team / BACKGRID
The singer’s long-time producing partner, Elaine Goldsmith-Thomas, initially urged against it, telling Lopez: “Why are you sharing your story? It’s too personal. Stop it,” she told Variety.

“What we’re seeing is Jennifer not learning a lesson from the past,” said Shuter, who was Lopez’s publicist when she and Affleck were engaged during the early aughts.

“I wrote the breakup announcement with J. Lo on the phone,” he recalled. “She was devastated. One reason they both gave for the breakup was that Ben didn’t like all the media scrutiny. The fact that she’s gone back to the very behavior that was an issue for them in the past —  this big project with the album and the documentary all about their love — is strange.”

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Lopez and Affleck married in 2021, 18 years after calling off their first engagement.EliotPress / MEGA
Bennifer 1.0 was a juggernaut. The two met on the set of the film “Gigli” in 2002, while she was still married to her second husband, dancer Cris Judd. After filming wrapped, Affleck took out a half-page advertisement in The Hollywood Reporter effusing what a great co-star she was: ”I only wish I were lucky enough to be in all your movies.”

Soon, Judd was out of the picture and Affleck and Lopez were a couple — and the biggest Hollywood story around, at a time when tabloid magazines like Star and Us Weekly ruled the newsstands.

Just three months into the relationship, J. Lo said yes to Affleck’s marriage proposal and a 6.1-carat pink diamond ring reportedly valued at $1.2 million.

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Lopez and Affleck (here, filming the “Jenny From the Block” video) met on the set of the film “Gigli” in 2002, while she was still married to her second husband, dancer Cris Judd.2002 RAMEY PHOTO AGENCY 310-828
Paparazzi hounded the couple, who played it up. Lopez included a song called “Dear Ben” on her 2002 album “This Is Me … Then.” He starred in the video for her “Jenny From the Block,” which featured the two cavorting on a yacht (his hand firmly, famously, grasping her bikini-clad buttocks) and dodging snap-happy photographers.

Then “Gigli” bombed. The next month, they postponed — then canceled — their September 2003 wedding, blaming “excessive media attention.”

Lopez admits in the “The Greatest Love Story Never Told” documentary: “We just crumbled under the pressure.”

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The two co-starred in the “Jenny From the Block” video in 2002 — in which she showed off her engagement ring.2002 RAMEY PHOTO AGENCY 310-828
Yet there is also a scene in the doc in which Affleck looks startled to learn that Lopez has shared his very private love letters and poems with her co-songwriters for inspiration.

It was Affleck “who made me believe in myself. Maybe I’m setting myself up to be f–king criticized again I don’t know,” she says of their rekindled romance. “But this is what my heart’s telling me to do.”

It was also, apparently, telling her to share the story with the world.

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Bennifer 2.0 attend the premiere of “This Is Me … Now: A Love Story.”FilmMagic

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Lopez talks about the reason her first engagement to Affleck ended in 2003 in the “The Greatest Love Story Never Told” documentary, admitting: “We just crumbled under the pressure.”Xavier Collin/Image Press Agency/MEGA
“When people are up that high, like Jennifer, and they take this kind of risk with their own money and it flops, it’s crushing on so many levels,” the music industry insider said.

Cyndi Lynott, SVP marketing at BMG, Lopez’s music distributor, said in a statement that the album was “the first step of an immediate strategy with a long-term goal as the incredible content to support the album continues to roll out” — mentioning the Amazon Original film, the documentary and the summer tour kicking off in Orlando on June 26.

“Jennifer knows she’s just at the beginning of this journey to share her music and project sharing it with her fans and beyond,” a source told The Post.

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Sources said the album failure won’t get Lopez too down: “She’ll focus on moving forward.”Getty Images
And those close to Lopez believe she won’t crumble under pressure this time.

“She’s probably disappointed, but focusing on rehearsing for the tour and has started production on [music film adaptation] ‘Kiss of the Spider Woman.’ She has several film projects in the works. She’ll focus on moving forward,” the source who has known J. Lo’s family told The Post.

“Clearly she has a big ego. And I’m sure it’s bruised. But I don’t think she’s the type to be devastated over it,” the source said. “In her mind, we’re the problem, not her.”